I always have something as a reference when I create new artwork. I never rely on my thoughts alone as inspiration. My secret tip for readers of 3D World is that I always use Fresnel for shading.
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Fresnel for shading
Bobby Parker
www.bobby-parker.com
e-mail: info@bobby-parker.com
phone: 2188206812
My current hardware setup:- Ryzen 9 5900x CPU
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- ​Windows 11 Pro
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As in he always has fresnel reflections switched on for every material he creates.
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That's what I thoughtOriginally posted by Pixelcon View PostAs in he always has fresnel reflections switched on for every material he creates.Bobby Parker
www.bobby-parker.com
e-mail: info@bobby-parker.com
phone: 2188206812
My current hardware setup:- Ryzen 9 5900x CPU
- 128gb Vengeance RGB Pro RAM
- NVIDIA GeForce RTX 4090 X2
- ​Windows 11 Pro
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After reading some of his blog, it would seem that Mr. Sanchez-Lana might understandably enough not have such a complete command of English.
For example:
3D World: What’s your favourite 3D package and why?
SMSL: Photoshop, because is the most powerful tool in the ArchViz field.
I'm sure he knows the difference between a 2D and 3D application, but maybe he didn't understand the question so well.
Based on that, it may be that by "shading" he meant "creating a shader with reflective properties". Since there are plenty of folks out there who do not understand the concept of surfaces with dielectric properties and their relationships to reflected light, it happens that the reflection's fresnel component of the shader is sometimes not utilized and maybe this is what he referring to.
Just my best guess...
-AlanLast edited by Alan Iglesias; 17-01-2013, 12:42 AM.
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It is impossible you missed it..
http://www.youtube.com/watch?v=U9rgG2vPAvQ
http://vrayinfo.spreadshirt.com/
Everything has fresnel... ask ChrisAlain Blanchette
www.pixistudio.com
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Yep - even at that though they aren't as convenient with each of the R, G and B components of the light having a different set of numbers. It's possible to do something similar in max which I'll get around to, but the slightly annoying thing is that we have to rely on tables of scanned materials which aren't all that extensive. Compound metals seem harder again where you can't just combine the results of the components and then average the results. You're right though, even if we had the two part mental ray BRDF approximation, it wouldn't be as accurate but it'd be better than what we have now.
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Well there is the usual trade-off between physical accuracy and control/usability. Controlling a Wavelength dependent IOR expressed as a (theoretically infinite number of (?)) complex number(s) is not exactly straight forward i'd say. Having scans of real-world materials is fine until you need to change things for artistic reasons *shudder*
Regards,
Thorsten
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Yep - I've got a maxscript that'll make a gradient that you can map to facing ratios based on that wavelength data - as you say though it's not exactly artist friendly. It'd be brilliant if max gave maxscript access to output curves then at least we could make a pretty accurate curve but use the minimum number of bezier handles to allow for easy tweaking afterwards.
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In some ways it'd be great if the likes of bercon gradient or some kind of vray colour correction map was included with the main vray build so you can be guaranteed that there's something done right, with full maxscript access and it's installed by default on any machine or render node.
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Originally posted by joconnell View PostIn some ways it'd be great if the likes of bercon gradient or some kind of vray colour correction map was included with the main vray build so you can be guaranteed that there's something done right, with full maxscript access and it's installed by default on any machine or render node.
Thorsten
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