Working in Non-Linear Space

[ene.xis]

flipside, i know what he means...
but..one thing is what ur clients do another is real world physics....
thats what i mean

[flipside]

Yes I know, but he didn't really get an answer to his original question

[ene.xis]

yeahh...ur right
me and my sarcastic bad mood....just bored i guess....

[3ddesign]

flipside, i know what he means...
but..one thing is what ur clients do another is real world physics....
thats what i mean

I'm talking real world physics too. Its a no brainer - that if your client gives you a color, you add it to your model, add colorcorrection, render, print and have the print match the color swatch almost exactly - that we're talking physics, or at least a pretty good imitation of it. Thats whats happening right now on my current project. I've never been able to achieve this before without a whole bunch of trial and error and a ton of PhotoShop work. So don't tell me I don't need colorcorrection.

Craig

[ene.xis]

well i didn t...or didn t mean to....
what i was trying to say was that some times a small example for a client...like:

*snap* photo *snap* photoshop *snap* see what i mean sir *snap* duhhh

makes some improvement in another workflow yet more important
an that s ...my humble point

[3ddesign]

Yup, I hear you. Good point.

[panthon]

proof it works?
http://throb.net/mezzo/


rob

Hey this mezzo commercial is amazing, not only because of the 3d quality, but also because of the complexity in tracking and integration of real people on bluescreen! Somehow I missed the first one, Race, and it's pretty cool!
The only thing that looks odd is the wire-jumps
I think its a good example of LWF on exteriors, but a little distracting to actually see the 3d stuff!
What about a RACE breakdown?
Did you shoot it in HD or 35 mm?

[throb]

proof it works?
http://throb.net/mezzo/


rob

What about a RACE breakdown?
Did you shoot it in HD or 35 mm?

we just don't have the time for a race breakdown unfortunately...maybe one day...
we shot everything in 35 because we needed to shoot at 120fps, etc for a bunch of shots. otherwise it would have been an all digital shoot with a viper.

[panthon]

How do u deal with 35 mm scanning when it comes to composite 3d+real footage in linear workflow? Any special consideration? Do u get any raw footage from 35 or maybe a 10 bit 4:4:4 uncompressed format?

Thanks!