I get that you're trying to be physically accurate, but being physically accurate is a pain in the ass. The reason we have large 3 stage matte boxes is to control light. If there was a magic camera that you could adjust the aperture on without affecting exposure film makers would love it. There should at the very least be an option to decouple the exposure of the camera and its aperture. Aperture is a creative tool for attaining a specific look. Exposure is largely a technical endeavor and almost exclusively a thorn in any cinematographer's side. Why bother recreating the worst aspects of film making in a digital system that doesn't need to?
While we're at it, please also offer a an option to disable breathing in Physical cameras as well if that's still enabled (changing FOV with focus). We rent $70k lenses so that we *don't* get breathing in them. Again, stop emulating defects by default that film makers generally spend a lot of time and money overcoming. It just gives artists more work to undo.
While we're at it, please also offer a an option to disable breathing in Physical cameras as well if that's still enabled (changing FOV with focus). We rent $70k lenses so that we *don't* get breathing in them. Again, stop emulating defects by default that film makers generally spend a lot of time and money overcoming. It just gives artists more work to undo.
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