Originally posted by Paul Oblomov
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The breathtaking future of automotive visualisation
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Me too please!Maxscript made easy....
davewortley.wordpress.com
Follow me here:
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If you don't MaxScript, then have a look at my blog and learn how easy and powerful it can be.
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Me too! Would love to see these models.Check out my (rarely updated) blog @ http://macviz.blogspot.co.uk/
www.robertslimbrick.com
Cache nothing. Brute force everything.
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So the sample model is very light compared to what we have to deal with at the moment!Maxscript made easy....
davewortley.wordpress.com
Follow me here:
facebook.com/MaxMadeEasy
If you don't MaxScript, then have a look at my blog and learn how easy and powerful it can be.
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The secret to great automotive rendering is great retouchers
Don't get me wrong, you need to understand HDRLS and Automotive lighting quite deeply but any Automotive CGI artist in here will tell you the raw render(s) and the final render are worlds apartadmin@masteringcgi.com.au
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Mastering CGI
CGSociety Folio
CREAM Studios
Mastering V-Ray Thread
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Originally posted by grantwarwick View PostThe secret to great automotive rendering is great retouchers
Don't get me wrong, you need to understand HDRLS and Automotive lighting quite deeply but any Automotive CGI artist in here will tell you the raw render(s) and the final render are worlds apart
Our lighting artist at Staud worked in the photography studio for 25 years before ditching the camera for a computer. He lights the car as he would a real car (rather than take advantage of features such as excluding and including objects from lights - although in VRED this is rubbish) and the renders always look amazing- but our retouchers really do make a difference. In a perfect world I'd be prepping, shading, lighting, rendering and comping my own renders but when you've got 20+ shots per car... no chance.CGI Artist @ Staud Studios
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Originally posted by AC5L4T3R View PostThis ^^^
Our lighting artist at Staud worked in the photography studio for 25 years before ditching the camera for a computer. He lights the car as he would a real car (rather than take advantage of features such as excluding and including objects from lights - although in VRED this is rubbish) and the renders always look amazing- but our retouchers really do make a difference. In a perfect world I'd be prepping, shading, lighting, rendering and comping my own renders but when you've got 20+ shots per car... no chance.
Now it's 25 images of lights all over the place and the retouchers have to blend it together creatively.admin@masteringcgi.com.au
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Mastering CGI
CGSociety Folio
CREAM Studios
Mastering V-Ray Thread
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