Hi there,
I have some live footage in a street filmed with a Nikon Fisheye-Nikkor 10.5mm f/2.8G ED and a D7000.
I have to cam track and match 3D on that live footage.
The thing is that with this lens, the distortion is extreme, so I was wondering what was the best workflow.
http://imaging.nikon.com/lineup/lens...g_ed/index.htm
Do I have to un-distort the footage and try to match 3D on top of it without distortion,
or
Do I have to leave the distortion on the footage, and try to match the Vray Physical Cam distortion type and amount to match.
The thing is that every program un-distort my live footage slightly differently. That's why I wonder if I will have a close camera match.
I saw also that there is a "Lens File" type in the Vray Physical Cam Distortion roll-out, is that something that we could retrieve from Nikon and that would be the most accurate to match?
Thanks for your advise
Stan
I have some live footage in a street filmed with a Nikon Fisheye-Nikkor 10.5mm f/2.8G ED and a D7000.
I have to cam track and match 3D on that live footage.
The thing is that with this lens, the distortion is extreme, so I was wondering what was the best workflow.
http://imaging.nikon.com/lineup/lens...g_ed/index.htm
Do I have to un-distort the footage and try to match 3D on top of it without distortion,
or
Do I have to leave the distortion on the footage, and try to match the Vray Physical Cam distortion type and amount to match.
The thing is that every program un-distort my live footage slightly differently. That's why I wonder if I will have a close camera match.
I saw also that there is a "Lens File" type in the Vray Physical Cam Distortion roll-out, is that something that we could retrieve from Nikon and that would be the most accurate to match?
Thanks for your advise
Stan
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