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  • White balance

    How are you all doing it? If I set my interior lights to 4100k my space is awfully orange. It seems it might make sense to leave all your lights at white and warm it up in post production. What is a "normal" workflow?
    Last edited by glorybound; 06-09-2017, 03:12 PM.
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  • #2
    Bobby Parker
    www.bobby-parker.com
    e-mail: info@bobby-parker.com
    phone: 2188206812

    My current hardware setup:
    • Ryzen 9 5900x CPU
    • 128gb Vengeance RGB Pro RAM
    • NVIDIA GeForce RTX 4090
    • ​Windows 11 Pro

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    • #3
      Old tut might worth a check http://www.skyscapeviz.com/white-bal...up-with-v-ray/
      www.yellimages.com

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      • #4
        Originally posted by thanulee View Post
        I basically do that, but I pick something in my scene that should be white. It works, but like you would expect, the scene gets very cold. Wouldn't leaving all your artificial lights to white be easier and just doing it in post production?
        Bobby Parker
        www.bobby-parker.com
        e-mail: info@bobby-parker.com
        phone: 2188206812

        My current hardware setup:
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        • 128gb Vengeance RGB Pro RAM
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        • ​Windows 11 Pro

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        • #5
          What u do is the same yes. I tend to use "neutral" in my exposure and set white balance to 6500k. Therefore if i want warm sources, i go down in Kelvin.
          If u pick proper white in ur scene, u shouldnt have a cold scene though, but a balanced one overall while maintaining ur warm and cold tones.
          www.yellimages.com

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          • #6
            I set all my lights to the same temperature (D65, 6,500k), unless it's a colored accent light. Then I tweak the temperature in the frame buffer if necessary. I'm typically more concerned with conveying actual designer-picked color palettes, than re-creating real-world photography headaches.
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            • #7
              I think i recall Mr. Guthrie saying he set his lights to 1100k under the camera's white balance in this scene: http://www.peterguthrie.net/blog/2011/06/twins

              Not 100% sure on that but it could be worth a try.
              James Burrell www.objektiv-j.com
              Visit my Patreon patreon.com/JamesBurrell

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              • #8
                Originally posted by Pixelcon View Post
                I think i recall Mr. Guthrie saying he set his lights to 1100k under the camera's white balance in this scene: http://www.peterguthrie.net/blog/2011/06/twins

                Not 100% sure on that but it could be worth a try.
                Darn, that's low. I follow the 6500 workflow too and adjust the other lights as needed. I think that 6500K is the approximation of the K value for the VRay sun for white balance. Correct me someone if I'm wrong.

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                • #9
                  Originally posted by padre.ayuso View Post

                  Darn, that's low. I follow the 6500 workflow too and adjust the other lights as needed. I think that 6500K is the approximation of the K value for the VRay sun for white balance. Correct me someone if I'm wrong.
                  Mmmm perhaps you misunderstood. To clarify, if the Cam's white balance was set to 6500K, the lights would be 1100 under that (equaling 5400k) ...I THINK...
                  James Burrell www.objektiv-j.com
                  Visit my Patreon patreon.com/JamesBurrell

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                  • #10
                    Originally posted by Pixelcon View Post

                    Mmmm perhaps you misunderstood. To clarify, if the Cam's white balance was set to 6500K, the lights would be 1100 under that (equaling 5400k) ...I THINK...
                    Yes I misunderstood! That makes more sense.

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