I don’t know if it’s just me but I’ve noticed on a number of occasions now that noise when using brute force GI seems to be getting a lot harder to get rid of in 2.0 than it used to be. It’s hard to put one’s finger on it and it took me all this time to become convinced that there was an issue there.
Some old scenes of mine that used to render silky smooth in a reasonable amount of time are no longer doable in an acceptable time frame and come out a lot noisier (and with longer render times) with the same settings. Just the other day, I re-rendered an image I wasn’t satisfied with (lots of tiny details, glossy reflections everywhere, complicated light paths) with much higher settings and, despite about 20 hours of rendering, came out nearly unchanged.
I read everything about the environment variable, tried it, and it hasn’t made a difference (then again, I never clamp my renders so I don’t know if it would.)
This is becoming an issue because with the kinds of render times I’m seeing, we are moving into the region of unbiased renderers. I fear the image I mentioned earlier would have come out cleaner from Maxwell given the same amount of time. And I would hate to have to use IR/LC again as I love the crispness of GI shadows under BF.
Of course, it’s very likely I’m the one doing something wrong. So if anyone has grappled with this or also thinks there is a fundamental difference between 1.5 and 2.0 in respect to noise, please let me know how you are dealing with it.
Thanks Thorsten,
Yes, I know that. I’ve created the environment variable but it doesn’t solve my problem (I don’t use subpixel mapping anyway so I think it may not be relevant).
I’ve had similar results. I did a render recently where I had to render the couches basically gray and color correct them in post because when they were black, the noise was so bad I couldn’t work with it. It really didn’t matter how much light or subdivs I threw at it either. I was also not using subpixel mapping.
The biggest fix I found was using the gamma in the color mapping. At first I didn’t think I needed it because I had it setup in max already, but in the end it was the fix I needed. When I used the max gamma at input 2.2 and output 1.0, and used the vray color mapping gamma at 2.2 then most of my woes went away. Previously I have never used the color mapping gamma. Naturally if you use it you don’t want to hit the srgb button on frame buffer.
The downside is now all my images look wrong when I bring them into the RAM player, no matter what overrides I use. I have to preview frames in after effects or things just look… very very odd. I should really take a look at PDplayer but just haven’t had the time since 2.0 came out.
The trick is to use gamma 2.2 in color mapping and checking “dont affect colors”. That way you render will look same as earlier, but it will be sampled as gamma 2.2 → cleaner dark areas.
Thanks guys. I’m already using a 2.2 gamma (LWF) and don’t affect colours (I tried also to untick don’t affect colours and SRGB button - no difference). Also, I don’t seem to have a specific problem with dark areas. It’s noise pretty much everywhere. I can just about eliminate it, but I have to boost the settings much higher than I used to in order to achieve the same result. Hence the 20-hour-plus render times I’m seeing at the moment (for 2K images too, not gigantic renders).
EDIT, just an example, the image below rendered for 19 hours at this resolution (Max 2012, Vray 2.0, LC+BF, gamma 2.2, don’t affect colours, SRGB on). From memory, the DMC sampler had subdivs of 40 and a colour threshold of 0.002. Noise threshold 0.002. I rendered another version with the environment variable = 1 but the result and render time were exactly the same. I’ve also made dozens of tests trying to raise and lower the values for the DMC subdivs, noise and colour thresholds, Brute Force subdivs… no luck. It’s like hitting a glass ceiling.
The image is heavily processed but you can see the heavy noise all over the place, including light areas, and is just not good enough in my opinion. I know I must be doing something wrong as I seem to be virtually alone in having this problem, but whatever it is, it used to work fine). And it’s not just this scene either. Every interior right now is showing this problem as soon as I hit a certain amount of geometry/bouncing lights.
I must be honest, the image is grainy yes, but it’s way less drastic than I thought it would be based on your previous posts.. of course it’s a matter of personal taste, and I can see why it wouldn’t work for you.
quite apart from that, have you tried to deal with the problem locally instead of relaying entirely on the DMC sampler? I used to have a kind of “universal settings” approach as well, leaving any local setting alone (lights subds, mats subds, bf and so on), and clearing all the noise only with the aa. in some cases though, it was much more efficient to tackle specific problematic areas such as the indirect illumination and taking load off the DMC sampler. render times can be more manageable as well.
Larsson: No I’m not. There is a fog pass but it was rendered separately against a black override material (and was pretty much noise free)
Hi Rivoli: Yes I did, especially by trying to put more of the load on the Brute Force subdivs. But somehow all the various approaches bring me to the same place: much longer time than I’m used to in order to reach a noise-free render. It’s as though everything was working like before except for the fact that you need an extra 10 hours of render time.
Have you tried playing with precalcing an IRmap/BF setup with reflections turned off in your scene and the quality set to high/very high? Use the VMC script to do this, then switch them back on for the final render.
An image at that resolution taking over 30 minutes is too long. 19 hours is insane.
Thanks cubicle. I’m not sure how I would do that. The BF is not a prepass, right, so how would you precalc it? Or do you mean BF for second bounce?
As for the irradiance map, it’s not working well in this scene, even at high settings. A blurry irrmap gives me artifacts in the small details of the mouldings and a dense irrmap gives me blotchiness all over the place (plus smaller but still noticeable artefacts in the fine detail areas).
It’s funny because I’ve been using Vray for some time now and it feels as though render times are getting longer for the same quality (though arguably my scenes have been getting more complex). But I agree, there is something wrong with 19 hours of render to obtain this result. Especially since the white walls are, in this case, pure diffuse.
EDIT: Sorry, you do mean IrrMap/BF in this order. Makes sense. I’ll give it a try.
You are a master so it’s difficult to suggest something should work, probably you’ve just tried but I try.
- did you try to delete or hide the glass and see if they are that raise rendertimes?
- with an override material (deleting glass to simulate transparent objects), did you get the same slow rendertimes?
- using irmap, you could use the GI multiplier in the vray properties for the objects with loss of GI details
Thanks Bardo. I did try to render without the glass and found that increased render time a bit, not hugely so but still significantly (but then again, I need all that glass.)
I did not try the gi multiplier for those difficults objects. I guess I could.
Hi Bertrandt,
i dont think Solidrocks will work there…i used solidrocks in similar scenes and it gave me nothing but light leaks even though it was set to ultra settings (i mean the plug is nice but it doesnt do magic)
* have you tried merging all the stuff into a new scene and setup vray from scratch?? i dont know why but it sometimes helps
* its quite hard scene for the sampling…the light has to travel quite far to make all the bounces…maybe its just because of the scenes nature??? Alhtough i have to say its madness to achieve such times at this resolution.
* strip the scene from all the nice bits, leave just the lighting, pute pure white material and post the download link here…i am sure we could all find the way hot to make it work :-)))
* i know this will not help you, but myself, i am not really overjoyed with the vray 2.0 functionality (please dont kill me guys for saying this) + plus i really miss some explanations in vray manual …simple descriptions of functions are not really helpful
Thanks Martin,
I think I’ll do that. I’ll just pack the scene without textures and furniture, see if I still get the same problem, and post it for anyone who doesn’t mind spending the time to have a look.
Hi Bertrand,
I was thinking the same things as Bardo and although I read that you need all the glass, I want to tell that I have a strange issue with the glass in the interior I am working on.
When I hide glass, noise disappears. When I turn on glass, I get some noise and a strange bluish cast in the GI which I didnt understand where comes from (glass has no tint in diffuse, reflection or fog color)
Moreover, the objects behind glass get more saturated or darker.
I really don’t know if I am making a mistake somewhere or missing something- and can be my mistake but this made me think if there is any problem with refraction.
I made numerous tests too. And cant find what I am missing.
So I know you need the glass to be there but does your problem disappear when there is no glass?
